How Influencers Using Cultural and Crisis Content Face New Investigations

Creators are being investigated for using sensitive events like Chinese New Year and the LA fires for social media content. This is a growing concern for online ethics.

Recent online events involving high-profile social media figures have raised serious questions about the ethics of digital content. At the center of this discussion is Em Davies, a creator who recently shared videos about celebrating Chinese New Year. These posts led to a significant public backlash, with many viewers stating the content treated a deeply rooted cultural tradition as a temporary fashion trend. This event is not isolated. It follows a series of incidents where creators have used public tragedies, such as the Los Angeles fires, or poverty in foreign countries to gain views and "likes."

The tension remains between the creator's goal to stay relevant and the public's demand for respect and authenticity. As these figures turn private lives and global events into "content," the line between participation and exploitation becomes thin. This report examines the evidence behind these claims and the impact of such posts on the communities they depict.

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Influencer Em Davies is slammed for 'tone deaf' post about celebrating Chinese New Year: 'My culture is not your trend' - 1

Chronology of Content Disputes

The following timeline shows recent instances where creator content has led to public disputes regarding sensitivity:

  • January 18, 2025: Influencers including Sahara Ray, Thomas Wu, and Veronika Kostei are criticized for using the Los Angeles fires as a backdrop for social media photos.

  • February 2025: Em Davies posts a video giving advice on how to celebrate Chinese New Year.

  • Late February 2025: A TikTok user named Grace and other commenters state that influencers are treating Chinese New Year as a "trendy aesthetic" rather than a holiday.

  • March 3, 2025: Em Davies shares images of herself in a hospital bed with an IV drip following her wedding, leading to mixed reactions regarding her health and her "pearl-embellished" vape case.

"I have seen so many influencers this Chinese New Year talk about celebrating Chinese New Year, and they are coming off so… tone-deaf." — Grace, Social Media User.

Evidence of Cultural and Crisis Content

The data suggests a pattern where creators use sensitive topics to maintain engagement. Critics argue that this behavior lacks depth and causes harm to the subjects involved.

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Influencer Em Davies is slammed for 'tone deaf' post about celebrating Chinese New Year: 'My culture is not your trend' - 2
Subject MatterCreators InvolvedNature of Criticism
Chinese New YearEm DaviesTreating a traditional holiday as a "trend" or "aesthetic."
Los Angeles FiresSahara Ray, Thomas WuUsing a natural disaster for "clout, clicks, and cash."
International PovertyUnnamed American InfluencerPromoting "Slum Tours" in Mumbai, India, as a holiday activity.
Public Health/PandemicVarious InfluencersComplaining about lost income while the general public struggled.

The core issue identified by investigators is the "aestheticization" of serious events, where culture or tragedy is used to match a specific visual style for social media feeds.

Analyzing the Intent of Cultural Content

Viewpoint A: Cultural Appreciation

Some argue that when creators share content about holidays like Chinese New Year, they are helping to spread awareness and celebrate diversity. From this perspective, participation is a form of inclusion. If a creator has a large following, their posts can introduce many people to new traditions they might not have known about.

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Influencer Em Davies is slammed for 'tone deaf' post about celebrating Chinese New Year: 'My culture is not your trend' - 3

Viewpoint B: Cultural Appropriation

Opposing views, such as those shared by the user Grace, suggest that these posts are shallow. The argument is that influencers only care about the "look" of the holiday—such as the colors or decorations—without understanding the history or significance.

  • Is it possible for a creator to participate in a culture without turning it into a "trend" for profit?

  • Does the focus on visual appeal strip the holiday of its actual meaning for those who practice it?

Using Disaster and Poverty for "Engagement"

A significant part of this investigation involves how creators behave during crises. In January 2025, creators were seen taking photos near the site of the Los Angeles fires. While the city faced destruction, these figures used the setting for fashion-style photography.

Influencer Em Davies is slammed for 'tone deaf' post about celebrating Chinese New Year: 'My culture is not your trend' - 4
  • Sahara Ray was criticized for posts that critics said made her look like she was "on fire" for the sake of an image.

  • In Mumbai, an influencer was slammed for a "Slum Tour" video. Critics argued that this "promotes poverty" by turning the difficult lives of others into a tourist attraction.

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These instances raise the question: When does documenting a location become an act of disrespect toward the people living through the situation?

Expert Analysis and Industry Response

Experts in digital media and ethics note that the pressure to produce constant content can lead to a "blind spot" regarding social responsibility.

"Social media influencers have a huge fan following… they should not post anything that sounds tone-deaf as a majority of people are struggling." — ScoopWhoop Analysis.

The reports indicate that when creators feel their "job" is hard, they often lose touch with the reality of their audience. For example, an influencer was recently criticized for complaining about the "hard work" of social media while others work manual or high-stress jobs. This disconnect creates a "tone-deaf" environment where the creator's personal brand is placed above the well-being of the community.

Conclusion and Findings

The evidence gathered from recent reports suggests several key points:

  1. Cultural Sensitivity: There is a growing divide between how influencers view cultural participation and how members of those cultures perceive it. The phrase "My culture is not your trend" serves as a primary point of conflict.

  2. Crisis Ethics: The use of natural disasters or poverty for visual content is consistently met with public anger. These actions are viewed as "clout-chasing" rather than awareness-building.

  3. Accountability: While some influencers apologize or hide their identities when confronted, the pattern of behavior suggests that the incentive for "views" often outweighs the fear of public criticism.

The next steps for the industry involve a closer look at "Slum Tourism" and the commercialization of holidays. As audiences become more vocal about "tone-deaf" content, creators may be forced to change how they interact with cultures and crises, or risk losing their followers entirely.

Information Sources

Frequently Asked Questions

Q: Why are social media creators being investigated for their content?
Creators like Em Davies are being investigated for using sensitive topics, such as Chinese New Year and natural disasters like the LA fires, to gain views and likes. This has led to public backlash and concerns about exploiting cultures and crises.
Q: What specific content has caused controversy for creators?
Em Davies faced criticism for posts about Chinese New Year that many felt treated the holiday as a trend. Other influencers were criticized for using the LA fires as a backdrop for photos and for promoting 'Slum Tours' in Mumbai.
Q: What is the main criticism against these influencers?
The main criticism is the 'aestheticization' of serious events, where culture or tragedy is used to match a visual style for social media without understanding the deeper meaning or impact on affected communities. Critics say this is shallow and disrespectful.
Q: What is the difference between cultural appreciation and appropriation in this context?
Cultural appreciation is seen as spreading awareness and celebrating diversity. However, critics argue that some influencers engage in cultural appropriation by focusing only on the visual aspects of holidays like Chinese New Year, turning them into a 'trend' or 'aesthetic' without understanding their significance.
Q: What are the findings of the investigation into this content?
The investigation found a growing divide between how influencers present cultural participation and how those cultures perceive it, with the conflict summarized as 'My culture is not your trend.' It also found that using disasters or poverty for visual content is seen as 'clout-chasing' rather than awareness-building, and the drive for views often outweighs the fear of criticism.
Q: What might happen next for social media creators?
As audiences become more aware of 'tone-deaf' content, creators may be forced to change how they interact with cultures and crises. The industry may also see a closer look at practices like 'Slum Tourism' and the commercialization of holidays to avoid losing followers.