Boots Riley: Capitalism Steals Land, Labor, Resources

Boots Riley's new film "I Love Boosters" uses surrealism to show how capitalism steals land, labor, and resources.
By Newsroom | Arts, Film |

Musician and filmmaker Boots Riley is asserting that the fundamental structure of capitalism is inherently built on acts of theft, not something that occurs outside its framework. This assertion is a central theme in his recent work, including his film "I Love Boosters." Riley argues that capitalism's existence relies on the "historical and daily theft of land, labor, and resources."

Boots Riley: ‘Theft is not outside of capitalism, it’s what it was built on’ - 1

Riley posits that what is commonly perceived as theft is, in fact, an intrinsic component of the capitalist system, deeply embedded in its very creation and ongoing operation. This perspective informs his artistic endeavors, where he aims to examine the inherent contradictions within the system.

Boots Riley: ‘Theft is not outside of capitalism, it’s what it was built on’ - 2

Riley’s film, "I Love Boosters," reportedly centers on a group of women dismantling a fashion industry system. This narrative serves as a vehicle for exploring how such systemic exploitation operates. The film’s approach is described as using "surrealism as a Trojan horse" to convey these criticisms, rather than directly labeling itself as anti-capitalist.

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Boots Riley: ‘Theft is not outside of capitalism, it’s what it was built on’ - 3

Despite his critiques, Riley navigates the complexities of producing art within the capitalist framework itself. He has stated, "Even if you make an independent movie, you’re still in this business." This pragmatic acknowledgment highlights the pervasive nature of the system he is questioning.

Boots Riley: ‘Theft is not outside of capitalism, it’s what it was built on’ - 4

Past projects, including his 2018 hit "Sorry to Bother You," have also concluded with narratives depicting uprisings against corporate malfeasance, suggesting a consistent focus on worker resistance and challenging authority. Riley has expressed satisfaction with how his work resonates with people, noting instances where workers quote "Sorry to Bother You" when discussing strikes.

Riley’s creative output is not limited to film. He has indicated that he has sold three more scripts, with two slated for filming within the year. His previous television work, such as "I'm a Virgo," has also been noted for its distinctive style and engagement with social themes. He views his political leanings, aligning with communism, as the closest equivalent to being a superhero. This perspective is rooted in a belief in collective action and understanding mutual needs, particularly in the context of struggles like fighting racism.

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Frequently Asked Questions

Q: What is Boots Riley's main idea about capitalism?
Boots Riley believes that capitalism is fundamentally built on stealing land, labor, and resources. He argues this theft is a daily and historical part of the system.
Q: How does Boots Riley show his ideas in his new film?
His new film, "I Love Boosters," is about women fighting a fashion system. The film uses surrealism to show how the system exploits people.
Q: Does Boots Riley think he can escape capitalism when making art?
No, Riley acknowledges that even independent art is made within the capitalist system. He notes that making movies means being part of the business, even while criticizing it.
Q: What other work has Boots Riley done that shows his views?
His 2018 film "Sorry to Bother You" also showed people fighting against big companies. Workers have even quoted the film during strikes, showing how his art connects with real-life struggles.