Barry Keoghan, the actor known for roles in "Saltburn" and "The Banshees of Inisherin," has spoken about the profound effect of online criticism, particularly concerning his appearance, stating it has led him to withdraw and question his career path. The persistent "abuse" directed at his looks has reportedly made him hesitant to attend public events and even leave his home.
The actor claims this online "abuse" has become a significant impediment, causing him to "shy away" and retreat inward, impacting his willingness to engage with public life and professional opportunities. He fears the psychological toll could eventually compromise his on-screen presence, admitting, "When that starts leaking into your art, it becomes a problem, because then you don’t want to even be on screen anymore."
Keoghan has removed himself from social media platforms but admits a lingering curiosity compels him to check reactions to his work after events. These checks, he says, often yield "not nice" comments. The anxiety surrounding these interactions has reached a point where he deliberately avoids public places, a stark contrast to the public persona often associated with his acting career.
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The actor also voiced concern for his young son, Brando, from whom he wishes to shield the hateful online discourse. This concern adds another layer to his introspection about the long-term consequences of online vitriol on his family life.
Previously, Keoghan has publicly addressed negative comments. His current statements suggest a deeper, more personal crisis stemming from persistent online harassment regarding his physical appearance. The intensity of this scrutiny, he indicates, is no longer a fleeting issue but a pervasive problem affecting his daily life and professional outlook.
He is currently involved in Christopher Nolan's upcoming cinematic event, "The Beatles: A Four-Film Cinematic Event," where he stars alongside actors Harris Dickinson, Paul Mescal, and Joseph Quinn. The nature of this online pressure, he suggests, makes him re-evaluate his relationship with the public eye and the acting profession itself.
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