Unfortunate Removal of 'Extremely Hairy Armpits' Scene, Says Director
Director Emerald Fennell has expressed regret over the exclusion of a scene from her film adaptation of Wuthering Heights that featured star Margot Robbie's character with visibly unshaven armpits. Fennell stated it was "unfortunate" the scene, which she had filmed, did not make the final cut. This element, she suggested, was intended to offer a historically plausible detail, contrasting with the typically smooth-skinned portrayal of women in many period dramas.

The director's comments highlight a tension between historical verisimilitude and conventional on-screen aesthetics, particularly concerning female bodies.

A Deliberate Artistic Choice
Fennell discussed the deleted scene at the Hay Festival in Wales on Friday evening, recounting her intent to capture a more authentic representation. She noted that many women in period films are depicted as "hairless like eels," a standard she aimed to subvert. The director mentioned that Margot Robbie had grown out her armpit hair for the role, a detail intended to align with the character's circumstances in the period drama.
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"They're all kind of hairless like eels. She revealed that one particular scene showed Margot's character displaying her unshaven armpits, admitting it was in contrast to many period films where women are often shown with clean-shaven underarms."
The film, which stars Robbie alongside Jacob Elordi, was released earlier this year. Fennell, who also penned the screenplay, has spoken previously about making distinct choices in her adaptation of the classic novel, drawing on her teenage memories of reading the book.

Broader Implications for Representation
The discussion around the cut scene touches upon larger conversations within Hollywood regarding female representation and beauty standards. The decision to depict such a detail, even if ultimately unseen by audiences, suggests a deliberate effort by Fennell to challenge prevailing norms about how women should appear on screen, particularly in historical settings.
The film also included other notable, and perhaps unconventional, elements. Fennell previously discussed a scene where Robbie's character puts her finger into the mouth of a dead fish, a detail that also underscored the director's willingness to embrace visceral and less conventionally attractive imagery.
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