Director Buchi Babu Sana has announced that certain scenes featuring Janhvi Kapoor in the recently released film Peddi will be altered. This move comes in response to significant public criticism, with a segment of viewers alleging that the film objectified Kapoor's character, Achiyyamma.

The controversy primarily targets specific sequences involving close-up shots focusing on Kapoor's waist and navel, as well as dialogues deemed inappropriate by the audience. A forceful kiss scene, where Ram Charan's character appears to kiss Kapoor's character without clear consent during a power outage, has drawn particularly sharp condemnation, with some labeling it as sexual assault.

Sana issued a public apology, stating that the filmmaking team has taken audience feedback "seriously" and will implement the necessary changes. He expressed that the intention was never to disrespect or objectify any female character, emphasizing that "every woman deserves to be respected." The director also noted that he did not anticipate the negative reception of these scenes.
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Underlying Issues and Reactions
Critics and a portion of the audience have pointed to the camera work, dialogues, and romantic scenes involving Kapoor's character as evidence of objectification. The film, released on June 4, has garnered mixed to negative reviews.

Amidst the controversy, alleged private chats attributed to Janhvi Kapoor have surfaced online, purportedly showing the actor raising concerns about certain scenes prior to the film's public scrutiny. However, neither Kapoor nor her representatives have officially confirmed or commented on the authenticity of these messages.
The director's statement indicates a shift in the narrative, moving from the film's plot – described as a sports drama about a daily wager fighting for identity – to the problematic portrayal of its female lead. Sana, who previously directed Uppena, reiterated his commitment to responsible storytelling and the dignified portrayal of women.
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The director's acknowledgement and promise of edits reflect a broader conversation surrounding the representation of women in Indian cinema, amplified by social media's rapid dissemination of public opinion.