A24'S NEW OFFERING LEANS HEAVILY ON AUDITORY HORROR, WITH MIXED RESULTS
New York, NY – The much-discussed film 'Undertone', from A24, appears to be generating considerable buzz, largely for its ambitious use of sound design. Critics suggest that the film's most compelling elements are found in its meticulously crafted audio landscape, aiming to instill dread through what is heard, rather than what is seen. However, this sonic focus, while lauded, has also left the narrative itself feeling underdeveloped and derivative for many.
The film centers on Evy (Nina Kiri), a podcast host exploring paranormal recordings. The auditory aspect of her work seems to bleed into her isolated reality, as the sounds from her podcast recordings begin to haunt her even after the audio stops. This effect is amplified by the film’s tight focus on Evy’s home environment, where she also cares for her comatose mother (Michèle Duquet).
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While the concept of audio-based horror is not entirely novel, 'Undertone' is frequently cited for its effective execution of unsettling soundscapes. The film reportedly immerses viewers by stripping away ambient noise, leaving only the unnerving conversations, frantic recordings, and Evy's own breath. This deliberate isolation of sound aims to create a palpable sense of unease and the feeling of something sinister lurking just beyond perception.
Despite the praise for its technical achievements, particularly its sound mix, 'Undertone' has been met with criticism for a script that many find to be lacking originality and depth. Reports indicate that while the horror elements are genuine and frightening, the underlying plot treads familiar ground. Some reviewers note that the narrative structure, while designed to isolate Evy and amplify her psychological distress, doesn't always translate into a cohesive or logical progression of events.
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The film's setting is predominantly confined to a single, two-story house, further emphasizing Evy's isolation. Her interactions are primarily with her podcast co-host, Justin (Adam DiMarco), who exists remotely, and her unresponsive mother. Evy is also revealed to be pregnant, adding another layer of personal anxiety that the podcast's terrifying discoveries seem to overshadow.
Directed by Ian Tuason, 'Undertone' is noted as an impressive debut, especially given its perceived independent production status. The film made an appearance in the Sundance Midnight strand, with a US theatrical release via A24 scheduled for March 13th. Producers include Dan Slater and Cody Callahan, with Graham Beasley handling cinematography and Mercedes Coyle responsible for production design. The score is credited to Shanika Lewis-Waddell.