Sixth Cousins, Shared Stage
Meryl Streep and Anna Wintour, figures entwined in the cultural consciousness largely through Streep's portrayal of an icy editor, have been confirmed as sixth cousins. This genealogical revelation coincides with the burgeoning anticipation for "The Devil Wears Prada 2," a sequel slated for release on May 1, which sees Streep reprising her iconic role as Miranda Priestly. The connection, traced to shared fifth great-grandparents, Thomas Smith and Elizabeth Kinsey, was exclusively revealed by TODAY on April 2.
The unfolding narrative around Streep and Wintour moves beyond mere familial relation. Wintour herself reached out to Streep as rumors of the sequel gained traction, seeking a form of reassurance about the project. Streep described Wintour as "such a good sport" regarding the attention, a sentiment seemingly echoed by Wintour's own musings on her public persona.
Read More: My Reno Rules Premiere Disappoints Viewers Compared to The Block
The "Devil Wears Prada 2" is set to reunite Streep with a core cast that includes Anne Hathaway, Emily Blunt, and Stanley Tucci. Streep has noted the film's enduring impact, particularly on female journalists, and has spoken about incorporating a "modern slant" into the sequel's presentation. The film's impending arrival marks a significant return for the beloved characters, with Streep reflecting on the rarity of revisiting such a role two decades later.
Cover Stories and Career Reflections
The convergence of these two prominent figures has also manifested in their joint appearance on the cover of Vogue. Wintour, who has long helmed the fashion bible, shared the prestigious cover with Streep, a move that generated considerable buzz within fashion and pop culture circles. Online commentary from forum members suggests a strong anticipation for the issue, with phrases like "definition of iconic" and "this will sell out fast" indicating the public's reception.
Read More: Kimberley Garner's Bikini Photos in St. Tropez Cause Talk
Streep has previously discussed the inspirations behind her portrayal of Miranda Priestly, noting that the character was fashioned from observations of people she knew, a majority of whom were men. This creative process, combined with the film's continued resonance, underscores the complex interplay between real life and fictional representation. The proximity of the sequel's release to the confirmation of their distant kinship adds a layer of curious synchronicity to their public narrative.
